Swords, Specters, & Stuff

Welcome to My World

I started this blog in January 2012 for one simple reason: I love to write. I named it “Swords, Specters, & Stuff” because I especially love to write about writing, about books and movies in my favorite genres, about authors that mean a great deal to me. But there’s more to it than that, which is why I included “Stuff” in the title. It is “Stuff” that gives me carte blanche to write about anything, which is why you’ll see stories about special trips to Cooperstown, Sedona, and other places; about getting older; about baseball; about the otherworldly way in which I met my soul mate; about the loss of good friends, and so much more. Enjoy! And feel free to leave a comment.

Throwback Thursday: Why I Do What I Do (Or Did What I Did)

Throwback Thursday: Why I Do What I Do (Or Did What I Did)

Given my (approaching) dotage I’ve been taking on fewer writers in recent years, though I still love sharing in the success that many of my writers experience. This was more than evident last week when, three days apart, I received two freshly minted non-fiction books from a couple of writers with whom I thoroughly enjoyed working, from start to finish.

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Films About Writers: Under The Tuscan Sun

Films About Writers: Under The Tuscan Sun

In 1996 Frances Mayes, a writer, book reviewer, teacher, and foodie extraordinaire, published a memoir—replete with recipes—called UNDER THE TUSCAN SUN. The book spent over two years on the NEW YORK TIMES bestseller list, a remarkable achievement. A romantic comedy-drama “loosely based” on the book was inevitable…

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Throwback Thursday: Self-Publishing—Where’s The Watchman?

Throwback Thursday: Self-Publishing—Where’s The Watchman?

Quite a few years ago, when self-publishing, e-publishing, POD and such were in their embryonic stages, literary super-agent Richard Curtis (who at one time represented me) wrote an op-ed piece in Publishers Weekly titled, “Who’s Guarding the Gates?” The article detailed his concern over books that were going to be published without any professional screening from literary agents, or editors at mainstream publishing houses.

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