With the recent publication of my Sword & Planet novel, Slaves of Maldrinium, I am close to fulfilling a promise that I made to myself a few years ago. The catalyst for this occurred during the start of my writing career, when I was fortunate—or maybe unfortunate—enough to publish thirteen novels in only four years.
WRITE FAST, NOT WELL
For sure, do NOT take that bit of advice. It is meant as sarcasm. And yet, that might as well have been my mantra back then. I could really churn out the stories, usually writing first drafts of entire novels (60,000-75,000 words) in four to six weeks. I actually did one in three weeks. My assessment of these novels: decent stories, lousy writing (that’s on me), editing that ranged from poor to atrocious (that’s on the two publishing houses that did the books).
So about seven years ago, as I approached semi-retirement after decades as a writing coach and editor, I decided that I would give each of those thirteen books—as well as a few later ones—a major makeover. As a teacher I had learned a hell of a lot about writing, and applying this to my own stories proved an easy and welcome task. As of today, there is only one remaining to be cleaned up.
WRITERS HAVE TO START SOMEWHERE
That was especially true back in the late seventies, when eBooks and Print on Demand were not even blips on the radar. After my first year of writing I was lucky enough (ha!) to find a small paperback house that wanted to do lots of my stories. (But, of course, they didn’t want to pay lots of money…hardly any, to be honest.) I gave them a five-book Sword & Planet series about a guy named Eric Wayne who dies on Earth and is reborn on a strange and deadly world, and two Sword & Sorcery stories about an ancient kingdom called Berbora.
This was “down and dirty” publishing: quick typesetting, lame covers, no editing, no proofreading. And wow, did it show! I’m talking typos on every page—no, every paragraph. Combined with my dubious writing abilities at the time, these books sucked. (Strange but true: I had fans of these stories who wrote to me for decades.) Predictably, the publisher went belly-up not long after.
THE BIGGEST CHALLENGE OF ALL
My second publisher was far better, and they’re still going strong today, though they were in their embryonic stage back then. I wrote a four-book Adventure-Fantasy series about a young guy named Roland Summers, or Ro-lan, trapped in a parallel world, and two stand-alone Sword & Sorcery novels, all of which they published. There weren’t many typos in five of the six books, and they did suggest revisions—though they could have done a lot more of the latter, as my writing still sucked. Still, I liked the cover art, the stories were decent, and in general the first five books were a vast improvement over what the previous publisher had produced.
But then came Book Number Six, the only one I have left to revise—and truth be told, I am in no hurry to do this.
The end result for The Golden Hawk of Zandraya, a Sword & Sorcery novel, came about from a “perfect storm” of issues. To begin with, I was at odds with my editor—let’s call it creative differences—and we both knew that this would be my last book with the publisher. Next, my life had spiraled downward at the time, and I managed to pack all of my anger and negativity into a rambling, repetitive, depressing story of over 100,000 words. (None of my previous books had run longer than 75,000 words.) Finally, the editor wanted to get the book out quickly and be done with it. They overnighted galleys to me, and I dropped everything to proof them, catching 150-200 typos. When they published the book, none of the typos had been fixed. This included typos on the back and front cover.
So, that huge challenge is still ahead of me; but, not just yet. Sneak peek: later this year, the next release under my Atoris Press imprint will be a never-before-published Sword & Planet spoof. I think it’ll be a hoot. That’s all I’m saying. The Golden Hawk of Zandraya will have to wait until next year, but it will be done. And then, I can truly say that I’ve righted all of the old wrongs.
Great tips! I remember a time when you noticed I’d been writing far too fast. There I thought I was being prolific… 😉
“Prolific” is good if you’re a mega-bestselling author and have multiple deadlines. Even then, you owe it to your readers to write well, not fast!
GREAT post– loved it!
Thanks, Lee. I just tell it like it is. Writers have to be hard on themselves ahead of anyone else.
Awwww…, and no one made the comment rewriting old wrongs. Ba doom kish. Seriously, write well, not fast. The time you’ll spend in rewrites, or worse yet, scorched-earth revisions, overwhelms any advantages you might think you created in dashing through your first draft. Personally, I’m a year and a half behind schedule, but I have a very clean first draft. And I’m proud of that.
I was tempted, Mark, but restrained myself. 🙂 Good luck with YOUR rewrites.
Thank you. The read-and-critiques have been very positive for the first draft’s level of craftsmanship and polish. I’m hopeful that the rewrites will not be the bloodbaths of old. And much of the positive feedback, I believe, comes from heeding your admonition to write well, not fast. Thank you for your mentorship all these years.